Berlin Kino 400 or The Joy Of The Delay

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I tell people that I like film photography because I don’t feel the pressure to share the results immediately. I like taking my time. I also like thinking about what I am doing or have done. I love spending time with my images and as such that means sometimes they don’t get shared for weeks, months or years. These images are about three months old now. I just finished this first roll of Berlin Kino 400 Black and White Film. Developed in Adox FX-39 and then file it until I am ready. There are several advantages to this. I find that whenever I allow an image, or its idea, to matriculate naturally through my consciousness that the end result is always better. It is when I am in a hurry to share something, and therefore put less time into thinking about it and what it means or stands for, that the results are flatter. But another advantage is it allows me to draw out experiences like this. As my memory of the place matures and evolves or even degrades, the photos can come back in to fill in the gaps or liven of up the colours of the memory. But mostly I just like having the time to figure out my own images and settle on what their value to me is. And sometimes this does take a little while to do. But I also think, especially when social media is involved, it really helps to have that stuff figured out and answered before you put it out there in front of that wider audience.

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http://www.berndkugow.photos/

Standing In The Rainbow Rain

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This had actually been an image I had tried to make before.  My attention was caught by the curve of the treeline and the distance trail of light. It was one of those quiet kind of photos that I like to make. But it was a dark scene and on that particular outing my intuition in terms of exposure was off. The resulting image was too thin to use. I actually forgot about it pretty quickly. I have underexposed too many photos to remember. Overexposed too many as well. Heck, properly exposed even more, and far too many to recount. And that is how it goes. You make images, some turn out, some don’t. Sometimes you make mental notes and sometimes you don’t. I didn’t think much of it until a recent expedition saw me standing in the same spot. I had forgotten about this image til I looked through the trees and there it was… not like an old friend but more like someone you met once whose face you recognise even if their name eludes you immediately. So I went at it again, this time remembering that my initial attempt had suffered underexpose. So I took my gut instinct and doubled it, or something like that… intuition piled upon intuition. It was a tricky scene to estimate because the lake was so dark, but that is why I like film. It generally tends to cast a kinder eye on guess work or tricky scenes like this.

Anyway, I like the result. It captures a bit of that isolation and quiet solitude that one feels standing up here.

http://www.berndkugow.photos/

 

Beyond The Cool Waters

Just a simple image of the Woods bordering the cool waters of the lake at Saint Aignan. I got out there for a quick trip recently which was really just about the fresh air and stretching of legs. Of course, the scenery was beautiful… it is always beautiful out there. And those are the moments that photos like this get made. Images that aren’t trying to be any grand statement on art, but simple reflections of simple beauty.

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http://www.berndkugow.photos/

Quantum Gate

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Being a film photographer I move a bit slower and am more concerned with the nature of delayed rather than instant gratification. Also, this image happened to be the first exposure on the roll, meaning I had to make it through another 11 shots to finish this up and even see this exposure. The notion of first exposures is a worthwhile one to explore. A higher-than-normal percentage of my favourite images tend to be the first or last exposures on a roll because I tend to lend more weight to the making of those photos. For example, I typically don’t load an empty camera, or empty film back, until I have a picture to make. That means when a roll of film does get loaded it is because I have enough of a purpose in mind to motivate me to load film. And the film that gets loaded is being selected for the first image it will be used to make. Along those lines, when I get to the last frame I really try to make that last exposure count. There is no better way to wrap up a roll of film than with an image you are excited about. Another way of approaching this is to go out without any spare rolls of film. I did this on this outing with my two Hasselblad backs, one of which is dedicated to colour and the other to b&w. I opted to not take any extra rolls of colour film with me and that back was on exposure 10, meaning I had only three shots remaining for an entire excursion. It is limiting but scarcity can also place greater value. With only three shots, or by waiting on my first shot of the roll, or the last shot, I am placing a higher-than-normal value on those exposures and because I do so, I tend to enjoy a higher-than-normal success rate with those images.

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http://www.berndkugow.photos/