Being a film photographer I move a bit slower and am more concerned with the nature of delayed rather than instant gratification. Also, this image happened to be the first exposure on the roll, meaning I had to make it through another 11 shots to finish this up and even see this exposure. The notion of first exposures is a worthwhile one to explore. A higher-than-normal percentage of my favourite images tend to be the first or last exposures on a roll because I tend to lend more weight to the making of those photos. For example, I typically don’t load an empty camera, or empty film back, until I have a picture to make. That means when a roll of film does get loaded it is because I have enough of a purpose in mind to motivate me to load film. And the film that gets loaded is being selected for the first image it will be used to make. Along those lines, when I get to the last frame I really try to make that last exposure count. There is no better way to wrap up a roll of film than with an image you are excited about. Another way of approaching this is to go out without any spare rolls of film. I did this on this outing with my two Hasselblad backs, one of which is dedicated to colour and the other to b&w. I opted to not take any extra rolls of colour film with me and that back was on exposure 10, meaning I had only three shots remaining for an entire excursion. It is limiting but scarcity can also place greater value. With only three shots, or by waiting on my first shot of the roll, or the last shot, I am placing a higher-than-normal value on those exposures and because I do so, I tend to enjoy a higher-than-normal success rate with those images.
On October 17th, 18th, and 19th, in celebration of the 40th anniversary of “Heroes”, and in collaboration with Arts Brookfield and WNYC’s New Sounds Live, Jonathan Meiburg, Emily Lee, Sadie Powers, Lucas Oswald, and Josh Halpern (Shearwater and Loma) were the nucleus of an all-star lineup performing Bowie’s entire “Berlin Trilogy” of albums (1979’s Lodger, 1978’s “Heroes”, and 1977’s Low) at the magnificent Winter Garden Atrium at Brookfield Place in lower Manhattan.
Shearwater Manchester Nov 2012
Jonathan and David
Boys keep swinging. Me in my Hometown 1978
Sound and Vision Home 2019
Words without sound Feb.2019
Big House Small House. Lomography Purple and Pinhole
There is more I have to say for these than time I have to say it. And as time is the best medicine, just stand quietly for a minute and enjoy.
Aged Lomography Purple iso 400 Negative film
Small Car Mael Carhaix Jan 2019
Purple Train Gouarec Jan 2019
Veneno para las hadas Malvran Forest Jan 2019
Pink Slide (in the real world it’s Yellow) Lac de Guerledan Jan 2019
Hello 2019, I think it will be a pleasure experiencing you. I already know some of the things you have in store for the coming twelve months but I am excited to see what surprises you have around your corners, just out of current sight. So off I go through the portal.
Somewhere there is someone who can see what I can see!
Huelgoat Forest New years Eve 2018
……and what have you done?
Mouse (Fiddler) on the Roof Guellec Uhellan Christmas 2018
Guellec Uhellan Christmas 2018
Guellec Uhellan Christmas 2018
Infrared Guellec Uhellan Christmas 2018
If it’s getting harder to face every day
Don’t let it show
Though it’s getting harder to take what they say
Just let it go