Over the years I have noticed a trend in my photography. To be fair, I notice many trends. It is sort of how I work: I make photos over a long span of time then see where the pictures settle and read them like tea leaves. It gives me a perspective on what I am doing that I don’t have while I am out doing it. But I digress. It is a lot about feeling, mood, perspective or whatever other abstract ideas you want to associate with what guides us through the creative process. I tend to be more in a black and white mood, for lack of better words. I love the simplicity of black and white. It pares the world down a bit to more essential elements. It makes things a bit simpler, a bit quieter… in a way. And that is a big part of what is driving me. I appreciate that simpler rendering.
I think part of it is also the timeless nature of b&w film/images. Colour is date able, by which I mean, you can generally tell when a colour image is made by its palette. The colour films of the 1970s look like the 1970s, just as the colour palettes of today’s images have a distinct look that is temporally anchored. Black and white eschews this dating to some degree. And I appreciate this too. That I am more easily able to make an image that is not anchored to a particular time, because sometimes the image I am making is not about a specific time at all, and if that is the case I don’t want that association to be baked into the photo. If that makes sense. But I do just like the concept of time as this slippery, amorphous, crazy notion of a thing and so if there is a way to set it aside just a bit, to make a photo that isn’t necessarily of a certain place at a certain time but perhaps somewhere sometime, then I enjoy doing that as well.
So there it is, just some of my thoughts hammered out in a bit of a stream-of-consciousness manner.